RUPTURE is what happens when five emerging queer Black Bay Area-based performance artists — jose e. abad, Gabriele Christian, Stephanie Hewett, Clarissa Rivera Dyas, and Styles Alexander — immerse themselves in practices of play, togetherness, and collaboration as strategies for survival and world building.

Now in our third year, RUPTURE is a multidisciplinary performance experiment. It is a genre-defying, improvisational, and process-based project that centers the improvisatory nature of Black life as a technique of future crafting and culture bearing. We draw from diverse creative practices and personal cultural lineages including Afrolatinidad, AfroIndigenous, AfroFilipinx, and AfroCaribbean, informed by African-Americanisms rooted in Harlem, the Bronx, Oakland, Los Angeles, and the Deep South.

Spanning dance, electronic music, altar installations, and ritual, our work is a somatic, theatrical, and experimental exploration of the “not yet,” of potentiality as emergence. RUPTURE lives through shared ritual practices, choreographic scores, international retreats, podcasts, gatherings, community workshops, and performance — traditional diasporic strategies that reclaim time, space, and rest as radical practices.

In the wake of global uprising, we are committed to ensuring that our lives matter and will be lived to their full potential. Our process is supported by an intergenerational circle of queer and/or Black wisdom keepers who have shaped dance and performance for decades.

RUPTURE is not just a performance piece. It is an idea, a curiosity, a way of being. It is a commitment to collective and individual thrivation. It is the refusal to conform to capitalist, product-centered artistry. It is an ever-expanding research project that asks — how do we get free, together?